![]() ![]() ![]() Notable features include built-in WiFi, GPS, HD video, and build quality similar to that of the 5D and 7D. Unlike the 5D Mark III, the 6D has a cropped viewfinder, allowing the photographer to see only 97% of the frame before shooting. The 6D is Canon's newest and least expensive DSLR sporting a full frame sensor. These are more specialized bodies they are a step up in terms of both features, and image quality from the XXD line, but lack in the high-speed performance that the XXD offers for sports. They are designed for studio and landscape work, primarily because of the slower burst rate, and AF system. Unlike the Rebel and XXD series, the 5D Mark II and 5D Mark III have a full frame image sensor. This is Canon's non-professional line Full Frame camera. These bodies are also APS-C bodies, so any lens paired with the body will have a 1.6 FOV crop. For many pro's, these bodies serve as a 3rd body backup (some even using them as 2nd body backups). These camera's make for excellent bodies for someone who has experience with SLR photography, or new comer who is serious about getting into photography. These camera's have a more advanced AF system compared to the Rebel series, have a high burst shot count, making them suitable for action photography, but lack in many of the features found in Canon's pro line. Taking all the features of the Rebel series and adding many more options, to create a camera that suits well for a beginner, but enough features and options that advanced photographers can make use of, resulting in a body that will "grow" with you as you advance in your skills. This is what has been dubbed the prosumer model. These bodies make for excellent choices if you are on a budget, new to photography, or not sure how deep you want to get into the world of SLR photography (you aint seen nothing yet, alice). A 100mm lens when used with an APS-C camera will result in a Field of View that is equivalent to 160mm on a 35mm film camera. These camera's use an APS-C sensor, which results in a 1.6x Field of View crop when compared to a 35mm film negative. Much like you would expect when going from a base-model car to it's fancier deluxe model. What they lack in comparison to the higher priced line-ups are typically features and options. These camera's are quite capable of producing amazing pictures. The difference between the different Rebel cameras you've listed are just subsequent upgrades, and features: more megapixels, HD video, faster burst rate, etc. Beginner/Intermediate models for hobby photographers who are transitioning to dSLR's, and looking to start, but within a moderate budget. This photographer adapted a massive IMAX lens to a Canon EOS R.40 years since an IMAX camera first filmed in space.Christopher Nolan's $1,500,000 debt to IMAX, and counting!.Pixar created a virtual IMAX camera and lenses to shoot Lightyear.Either way, we’re still excited to see it and at three hours long, it’s definitely value for money! If you’re not lucky enough to live close to one of these locations, you’re local movie theatre will still be showing it, but unfortunately, you won’t get to enjoy the full impact of the film, though there are other premium options available. That provides the resolution to project on a screen 4 London busses tall!ĭepending on where you live, you may have to make a dedicated journey to get the full Imax 70mm experience as just 19 theatres in the US, three in the UK, six in Canada, just one in Australia (Melbourne), and one in Europe (Prague). The film runs through the camera and projector horizontally, so the frames use 15 perforations of the film, making them 3.4x bigger than even 'standard' 70mm film. Each 70mm Imax frame is 8.3x bigger than 35mm. Not all Imax theatres are Imax 70mm theatres. In other locations, the 15-perforation shots will likely be cropped at the top and bottom to fit the wider screens. The 15-perforation Imax 65mm fills the whole 1.43:1 screen, while the scenes shot on 5-perforation are a more cinematic 2.2:1 widescreen don't use the whole height. Imax 65mm from the cameras is transferred onto 70mm film for projection in an Imax 70mm cinema. They can only shoot about three minutes of film at once so it needs to be switched out regularly which is why not many films are shot entirely on Imax – it wouldn’t be time or cost-effective. Imax cameras themselves are incredibly expensive, tricky to use, and very loud so can’t really be used when shooting scenes with lots of dialogue. The projectors themselves are much higher resolution and the theatres are specifically designed in a way that immerses you in the sound and visuals for “hyper life-like dimensionality.” To experience Imax properly it needs to be viewed on a special Imax screen which is significantly larger than a standard screen. Imax, the company name, stands for Image Maximum and it offers the highest resolution available. ![]()
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